
August birthdays are like the last cannonball into the summer pool — big, splashy, and a little bittersweet. School is looming, but August folks insist we squeeze every last drop of sunshine first.
Join us as we salute the stars who own the dog days of summer. They’re proof that even the hottest month can be cool when you know how to celebrate it.
If you've ever wondered what it takes to become President of the United States, the answer apparently includes a law degree, extraordinary public speaking skills, remarkable composure under pressure, and the ability to smile politely while half the country insists you should have done something completely different. Barack Obama somehow managed to juggle world affairs, economic crises, and international diplomacy while still finding time to fill out a basketball bracket every March. That's either excellent time management or the world's most stressful hobby.
August 4, 1961, in Honolulu, Hawaii
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Shelley Long walked into a little Boston bar called Cheers as Diane Chambers and spent five seasons proving that ordering a drink can apparently require a working knowledge of literature, psychology and several French expressions. Sophisticated, stubborn and wonderfully capable of driving Sam Malone completely around the bend, Diane helped make Long one of television’s biggest comedy stars of the 1980s—and gave millions of viewers five years to argue over whether Sam and Diane should kiss, fight or simply stay at opposite ends of the bar.
August 23, 1949, in Fort Wayne, Indiana
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Every now and then Hollywood discovers an actor who seems to appear out of nowhere and quietly reminds everyone that subtle performances can be just as unforgettable as superhero capes and exploding buildings. Lily Gladstone has a remarkable ability to say more with a thoughtful glance than some actors manage with three pages of dialogue. It's the kind of talent that makes audiences lean in instead of reaching for the popcorn.
August 2, 1986, in Kalispell, Montana
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Ingrid Bergman brought intelligence, warmth and extraordinary natural presence to some of cinema's greatest films, won three Academy Awards and gave us Ilsa Lund in Casablanca—which means generations of viewers have been confidently misquoting a line she never actually said.
August 29, 1915, in Stockholm, Sweden
August 29, 1982, in London, England
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Warren Buffett has spent a lifetime proving that you can become one of history's most successful investors without shouting into three monitors, buying a yacht shaped like another yacht, or describing every financial decision as "disruptive." The Oracle of Omaha built his reputation with patience, common sense and an extraordinary ability to recognize a good business—and on August 30, the man who made compound interest look almost exciting celebrates another birthday.
August 30, 1930, in Omaha, Nebraska
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Bruce is the guy you’d trust to talk down a hostage-taker, pilot a spaceship through an asteroid field, and still remember your coffee order — all before lunch. And he’d do it with that calm, reassuring tone that makes you think, “Yeah, we’re gonna be fine,” even if there’s an alien invasion happening outside.
August 12, 1956, in Rouyn-Noranda, Quebec, Canada
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Julian Casablancas helped make rumpled hair, battered guitars and looking mildly unimpressed with absolutely everything fashionable again. As the unmistakable voice and principal early songwriter of The Strokes, he helped kick open the garage-rock revival of the early 2000s with Is This It. More than two decades later, he is still making music, experimenting with The Voidz and demonstrating that apparently there really are several hundred different ways to look cool while barely moving toward a microphone.
August 23, 1978, in New York City
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Patrick Swayze could dance ballet, ride horses, handle an action scene, sing a hit song and convince an entire generation that carrying a watermelon was a perfectly reasonable way to arrive at a party. From Dirty Dancing and Ghost to Road House and Point Break, Swayze combined the toughness of an action star with the grace of a professional dancer and an unusually convincing sensitive side. Hollywood has produced plenty of tough guys and plenty of romantic leading men, but very few could throw somebody through a window and then perform a perfectly respectable pirouette.
August 18, 1952, in Houston, Texas
September 14, 2009, in Los Angeles, California
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Chris Tucker turned a lightning-fast delivery, a remarkably elastic voice and enough nervous energy to power a small city into one of the most recognizable comedy careers of the 1990s. From the permanently unemployed Smokey in Friday to Detective James Carter in Rush Hour, Tucker mastered the art of entering a perfectly manageable situation and making it considerably louder within seconds.
August 31, 1971, in Atlanta, Georgia
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Kyle Massey became a Disney Channel favorite as Cory Baxter on That's So Raven, playing the younger brother who could usually be relied upon to spot a money-making opportunity—and considerably less reliably be expected to think it through. The character proved popular enough to earn his own series, sending Cory all the way to the White House, where absolutely nothing could possibly go wrong.
August 28, 1991, in Atlanta, Georgia
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Alex Lifeson spent more than four decades playing guitar in Rush alongside a bassist who also played keyboards with his feet and a drummer whose kit occasionally appeared to require its own building permit. Somehow, Lifeson still found room in the music. As co-founder and guitarist of one of rock's most technically accomplished bands, he helped turn three Canadian musicians into arena-filling legends, Rock and Roll Hall of Fame inductees and the creators of enough complicated time signatures to keep generations of air drummers thoroughly confused.
August 27, 1953, in Fernie, Canada
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Harold Perrineau is the only actor who can go from quoting Shakespeare to fighting smoke monsters without batting an eye. He’s played a prison philosopher, a desperate dad, a digital pilot in The Matrix, and now a small-town sheriff in a nightmare—basically, if reality’s falling apart, Harold’s already there with a flashlight and a monologue. And yes, he still deserves a vacation from that island.
August 7, 1963, in Brooklyn, New York
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If heartbreak had a spokesperson in glitter boots, it’d be Megan Moroney. She sings like she’s been ghosted by every man in a 200-mile radius, then turned their poor choices into radio gold. Megan's music is like a therapy session—if your therapist wore rhinestones and handed you whiskey instead of tissues. She’s proof that you can be both emotionally wrecked and fabulously well-dressed while climbing the country charts.
October 9, 1997, in Savannah, Georgia
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George Hamilton is so tan he could walk into a Home Depot, stand in the paint aisle, and people would ask, “What shade is that?” He’s the human embodiment of “eternal summer,” and the only man who could make Count Dracula look like he vacations in the Bahamas.
August 12, 1939, in Memphis, Tennessee
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Mike Colter has played lawyers, criminals, soldiers, priests and one exceptionally durable superhero who can stop bullets with his skin. At 6-foot-3 and equipped with a voice that could probably convince a parking meter to waive the fine, Colter has built a career around commanding the screen without needing to make much noise about it.
August 26, 1976, in Columbia, South Carolina
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Eric Johnson is the guy who could win you over with a smile—or sell you out to the villain five minutes later. He’s got the face of a superhero, the intensity of a supervillain, and the acting range of someone who could convincingly play both in the same episode. Honestly, if he ever walks into a room holding a file folder and smirking... run. Or stay. It depends on the lighting.
August 7, 1979, in Edmonton, Canada
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Jack Black has built a career by approaching acting, comedy and rock music with roughly the same amount of restraint normally associated with an unsupervised fireworks display. Whether he is teaching children to rock, wrestling in stretchy pants or voicing a noodle-loving panda, subtlety may occasionally take the day off, but entertainment most certainly does not.
August 28, 1969, in Santa Monica, California
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Kyra Sedgwick spent years building an impressive career in movies, television and theater before discovering that the quickest route to television immortality involved adopting a Southern accent, interrogating murder suspects and keeping an emergency supply of chocolate within reach. As Deputy Chief Brenda Leigh Johnson on The Closer, Sedgwick could politely thank a suspect for his cooperation and somehow make the poor fellow realize that prison was probably next.
August 19, 1965, in New York City
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Richard Gere became a Hollywood leading man by wearing an impressive number of expensive suits, sweeping Julia Roberts off her feet in Pretty Woman and somehow making audiences believe that joining the Navy could end with Debra Winger waiting outside the factory. Beneath the movie-star image, however, is an actor whose career has ranged from musicals and romantic comedies to crime dramas, political thrillers and independent films for more than five decades.
August 31, 1949, in Philadelphia, Pennsylvania
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Christian Slater possesses one of those voices that could probably make reading the instructions for a dishwasher sound slightly dangerous. After breaking through as the rebellious Jason "J.D." Dean in Heathers, Slater became one of the most recognizable young actors of the late 1980s and 1990s, appearing in Pump Up the Volume, Robin Hood: Prince of Thieves, True Romance and Interview with the Vampire. Decades later, Mr. Robot introduced him to another generation and finally brought him a Golden Globe.
August 18, 1969, in New York City
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Some actors become famous for playing one unforgettable character. Billy Bob Thornton looked at that idea, shrugged, and decided to play just about everybody instead. From quiet small-town men to eccentric masterminds, grumpy antiheroes to unforgettable villains, he's built a career that keeps audiences guessing. Throw in an Academy Award, a successful music career, directing, writing, and enough dry wit to fill a dozen interviews, and you've got one of Hollywood's most distinctive talents.
August 4, 1955, in Hot Springs, Arkansas
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On September 14, 1814, lawyer Francis Scott Key was inspired to write the poem that eventually became the lyrics of the United States national anthem, “The Star-Spangled Banner.” During the War of 1812, British forces had captured Washington, D.C., and burned several major public buildings before turning their attention toward Baltimore. Key became involved after his friend, physician William Beanes, was taken prisoner by the British. He helped negotiate Beanes' release, but because the Americans had learned details of the planned attack, they were required to remain with the British fleet until the assault on Baltimore was completed.
From aboard a vessel in the Patapsco River, Key watched as British ships bombarded Fort McHenry through the night of September 13 and into the morning of September 14. When daylight came, the enormous American flag flying above the fort was still visible, showing that the defenders had held their position and the British attack had failed. Moved by the sight, Key began writing verses that became a four-stanza poem titled “Defence of Fort M'Henry.” It was soon published and sung to the melody of “To Anacreon in Heaven,” a British song composed by John Stafford Smith. Over time, Key's poem became better known by the title of its opening imagery, “The Star-Spangled Banner.”
Key, born August 1, 1779, in Maryland, was a prominent lawyer who later served as U.S. attorney for the District of Columbia. His song became increasingly associated with patriotic and official occasions, and President Woodrow Wilson directed that it be played at appropriate military and naval ceremonies in 1916. Congress formally designated “The Star-Spangled Banner” as the national anthem, with President Herbert Hoover signing the measure into law on March 3, 1931. Key did not live to see what became of his composition; he died on January 11, 1843, decades before his hastily written verses became the official musical symbol of the United States.
On September 14, 1964, Kellogg's introduced the toaster pastry that would become Pop-Tarts, although the company was not the first to announce the idea. Rival Post had already publicized plans for a shelf-stable, fruit-filled pastry called Country Squares but revealed the concept before the product was ready for widespread sale. Kellogg's recognized the opportunity and moved quickly, turning to William “Bill” Post, then working at the Hekman Biscuit Company in Michigan, to help develop a pastry that could survive both the supermarket shelf and a trip through the family toaster. Post and his team experimented with dough, fillings and production methods, with his children reportedly serving as enthusiastic taste testers along the way.
Kellogg's initially considered calling its creation Fruit Scones before settling on the far more memorable Pop-Tarts, a name that played nicely with the popularity of Pop Art during the 1960s. The original unfrosted pastries appeared in four flavors—strawberry, blueberry, brown sugar cinnamon and apple currant—and the early test market was enormously successful. Demand quickly outran supply, forcing Kellogg's to publish advertisements apologizing to customers because it had run out. Frosting arrived a few years later after the company developed a version capable of surviving toaster temperatures without melting into a sugary disaster, followed by sprinkles, additional flavors and Milton the Toaster, an animated mascot who helped promote the increasingly popular breakfast treat.
What began as a hurried response to a competitor became one of Kellogg's most recognizable products. William Post is frequently described as the inventor of Pop-Tarts, although he always emphasized that their creation was a team effort, and Kellogg's has also credited company executive William “Doc” Thompson and the people involved in developing the product. Over the following decades, Pop-Tarts expanded far beyond those original four flavors and became as much a snack as a breakfast food. Billions are now sold annually—a remarkable outcome for something that began with a few people looking at two pieces of dough with filling between them and essentially asking, “Do you reckon we can put this in a toaster?”
On September 14, 1974, Eric Clapton reached No. 1 on the Billboard Hot 100 with “I Shot the Sheriff,” a song written and recorded the previous year by Bob Marley and the Wailers for their album Burnin'. It became the only No. 1 single of Clapton's career in the United States, but the man singing it had been surprisingly uncomfortable about releasing it. Clapton admired Marley's original and understood reggae well enough to worry that his own recording didn't capture what made the music special. He later recalled thinking that his version shouldn't even be included on his album 461 Ocean Boulevard, much less released as a single, because he felt it wasn't fair to Marley and that his interpretation had given the song too much of a white rock feel. His American bandmates were considerably more enthusiastic, and eventually Clapton allowed himself to be persuaded.
His concern became even more understandable when the record took off. Marley's version had already been released, but Clapton's recording suddenly carried the song onto mainstream American radio and all the way to the top of the chart. Clapton subsequently spoke with Marley and was relieved to discover that the songwriter appeared pleased with what he had done. Marley later recalled that Clapton had asked him about the meaning of the song, while Clapton remembered struggling to understand parts of Marley's explanation. Whatever uncertainty remained about the interpretation, there seemed to be no lasting uncertainty about Marley's acceptance of the cover.
The irony was that the recording Clapton worried might unfairly overshadow Bob Marley ultimately helped bring enormous attention to him. Island Records founder Chris Blackwell later described Clapton's cover as a major breakthrough for Marley, because one of rock's biggest stars had effectively pointed his enormous audience toward the Jamaican songwriter whose work he admired. The official Bob Marley history similarly credits Clapton's recording with significantly increasing Marley's international profile. So while September 14, 1974, marks Eric Clapton reaching No. 1, the longer story belongs to both musicians: Clapton received the biggest American single of his career from a Bob Marley song, while millions of listeners who heard Clapton's version were given a reason to discover the man who had written it in the first place.
On September 14, 1982, Princess Grace of Monaco died at the age of 52, one day after suffering serious injuries when the car she was driving left a steep mountain road above Monaco. Her youngest daughter, Princess Stéphanie, was traveling with her and survived. Before becoming European royalty, Princess Grace had been Grace Kelly of Philadelphia, one of Hollywood's most celebrated stars of the 1950s. In a remarkably brief film career, she became known for an elegant screen presence that made her particularly memorable in Alfred Hitchcock's Dial M for Murder, Rear Window and To Catch a Thief. She also starred opposite Gary Cooper in High Noon and won the Academy Award for Best Actress for her performance alongside Bing Crosby in The Country Girl.
Born in Philadelphia on November 12, 1929, Kelly studied acting at the American Academy of Dramatic Arts in New York and supported herself through modeling and television work while pursuing stage roles. After appearing on Broadway and making her way into motion pictures, her rise was extraordinarily rapid. By the middle of the 1950s she was one of Hollywood's leading actresses, working with stars including James Stewart, Cary Grant, Clark Gable, Ava Gardner and Frank Sinatra. Yet at the height of that success, Kelly walked away from Hollywood. After meeting Prince Rainier III of Monaco in 1955, she married him in an elaborate ceremony the following April and became Princess Grace. Her final feature film, the musical High Society, was released in 1956, bringing an acting career of only a few years to a close.
Princess Grace and Prince Rainier had three children—Caroline, Albert and Stéphanie—and she spent the remainder of her life carrying out royal and charitable duties in Monaco. On September 13, 1982, while driving home with Stéphanie, Grace lost control of her Rover on the winding road near Monaco and the vehicle plunged down a steep slope. Early reports attributed the crash to a stroke suffered while she was driving, although the precise circumstances surrounding the accident have remained the subject of discussion. Stéphanie escaped with injuries, but Grace suffered devastating trauma and died the following day. Her death prompted mourning far beyond the tiny principality she had made her home, closing an extraordinary life that had taken her from Philadelphia to Broadway, from Hollywood stardom and an Academy Award to becoming one of the world's most recognizable princesses.
On September 14, 1994, Major League Baseball officially canceled the remainder of its season, including the postseason and World Series, after a players' strike that had begun on August 12 showed no sign of ending. It was an extraordinary moment for America's pastime: for the first time since 1904, there would be no World Series, and for the first time since the championship series began in 1903, its cancellation resulted from a labor dispute. At the center of the conflict were long-running disagreements between team owners and the Major League Baseball Players Association over salaries, revenue sharing, free agency and the owners' desire for a salary cap. Acting commissioner Bud Selig finally called off the remainder of the season with hundreds of regular-season games already lost.
The cancellation was particularly painful because the 1994 season had been producing some remarkable baseball. The Montreal Expos owned the best record in the majors at 74–40 and appeared capable of making the deepest postseason run in franchise history, while the New York Yankees led the American League East at 70–43. Individual achievements disappeared with the schedule as well. San Francisco's Matt Williams had already hit 43 home runs and Seattle's Ken Griffey Jr. had 40, giving both a chance to challenge Roger Maris' then-record of 61 in a season. Perhaps the most tantalizing unfinished story belonged to San Diego Padres great Tony Gwynn, who was batting .394 when play stopped and pursuing something no major leaguer had accomplished since Ted Williams hit .406 in 1941.
The dispute continued through the winter and into the following spring, with replacement players even appearing during 1995 spring training before a federal court injunction helped bring the strike to an end on April 2. Regular major-league players returned and the 1995 season eventually began, but the damage was considerable. Attendance suffered, fans expressed anger at both players and owners, and many people within baseball later described the canceled World Series as a lasting scar on the sport. There was no champion, no postseason heroics and no opportunity to discover whether Montreal could complete its remarkable season, whether Gwynn could reach .400, or whether Williams or Griffey could catch Maris. The 1994 season simply stopped—and baseball was left forever wondering how one of its most promising years might have ended.