Most guitarists dream of becoming rock legends. Brian May looked at that goal, checked his homework, built his own guitar, helped create one of the greatest bands in history, earned a doctorate in astrophysics, and somehow still found time to study the stars. If there were an award for overachieving, he'd probably design the trophy himself—and make it sound amazing through a guitar amplifier.
July 19, 1947, in Hampton, England
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Every office has that one person who knows every password, can fix the printer, and somehow remembers where the missing paperwork disappeared three years ago. On Criminal Minds, that person was Penelope Garcia—and Kirsten Vangsness made her so charming that audiences almost forgot the FBI's computers don't usually come with colorful scarves, quirky jokes, and enough positive energy to power a small city. She proved that even in the middle of television's darkest crime dramas, there's always room for kindness, laughter, and a keyboard that seems to type faster than the speed of light.
July 7, 1972, in Pasadena, California
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If Hollywood ever handed out awards for "Most Likely to Make You Laugh, Cry, and Then Call Your Mother," Tom Hanks would probably need a bigger trophy shelf. He has survived pirates, astronauts, wars, deserted islands, toy boxes, airports, and even a volleyball with remarkable emotional dignity. Somehow, he makes ordinary people seem extraordinary, proving that sometimes the greatest superpower is simply being believable.
July 9, 1956, in Concord, California
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Huey Lewis is proof that the 1980s did not run entirely on hairspray, shoulder pads, and suspiciously bright windbreakers. Sometimes it ran on sharp hooks, a punchy horn section, blue-collar charm, and a frontman who looked like he could sing a hit song, fix your carburetor, and still make it to the softball game by six.
July 5, 1950, in New York City
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Anna Paquin has accomplished something most actors only dream about—winning an Oscar before she was old enough to drive, vote, or even worry about filing taxes. She somehow managed to avoid becoming "that child actor everyone remembers from one movie" by following it up with superheroes, vampires, and enough memorable performances to make Hollywood realize that lightning really can strike twice.
July 24, 1982, in Winnipeg, Canada
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Some actors spend their careers chasing leading roles. Jeffrey Tambor built his reputation by becoming unforgettable in every role he played. With his remarkable ability to balance comedy, vulnerability, and eccentricity, Tambor became one of television's most recognizable performers. From the hilariously awkward George Bluth Sr. in Arrested Development to the groundbreaking role of Maura Pfefferman in Transparent, he has entertained audiences for more than four decades while earning widespread critical acclaim.
July 8, 1944, in San Francisco, California
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If you've ever heard a bachata song that made you want to dance, reminisce, or call someone you probably shouldn't, there's a good chance Romeo Santos had something to do with it. Armed with a smooth voice, poetic lyrics, and enough charisma to fill a stadium, he has transformed a traditional Dominican genre into a worldwide sensation. He also proves that singing about heartbreak can somehow leave millions of people smiling.
July 21, 1981, in The Bronx, New York City
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If Nathaniel Hawthorne could see high school students still reading The Scarlet Letter nearly two centuries later, he might be delighted—or he might apologize for all those vocabulary words that have sent generations scrambling for a dictionary. Either way, few writers have managed to make guilt, secrets, and mysterious forests so unforgettable.
July 4, 1804, in Salem, Massachusetts
May 19, 1864, in Plymouth, New Hampshire
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Every great band has someone who quietly keeps everything together, and in heavy metal that's often the bass player. While the guitarist gets the blazing solos and the singer commands the spotlight, the bassist is busy making the walls shake and rattling the neighbors' coffee cups. Geezer Butler mastered that art so well that he helped create an entire genre in the process.
July 17, 1949, in Birmingham, England
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Some actors spend years trying to steal every scene they're in. Barbara Stanwyck seemed to do it without appearing to break a sweat. Whether she was playing a devoted wife, a fearless businesswoman, a cunning femme fatale, or a tough-as-nails ranch owner, she had a knack for making audiences forget everyone else was on the screen. If charisma could be bottled, Hollywood would still be trying to figure out her recipe.
July 16, 1907, in Brooklyn, New York
January 20, 1990, in Santa Monica, California
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Making people laugh sounds easy until you try it on millions of viewers every Saturday night. Will Ferrell somehow turned awkward pauses, over-the-top confidence, and complete commitment to ridiculous situations into an art form. He has the rare ability to make audiences laugh simply by walking into a room with a perfectly serious expression before everything goes gloriously off the rails.
July 16, 1967, in Irvine, California
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Many guitarists spend years trying to eliminate buzzing, distortion, and feedback. Thurston Moore heard all three and apparently thought, “Yes, but what happens if we turn them into an entire musical language?” The result helped reshape alternative rock and inspired generations of musicians to treat the electric guitar as something more adventurous than a machine for producing tidy solos. He proved that organized noise could be intelligent, expressive, and influential—although it probably still worried the neighbors.
July 25, 1958, in Coral Gables, Florida
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Some guitarists play so many notes that audiences wonder whether they accidentally leaned on the fast-forward button. Steve Morse, however, somehow makes lightning-speed playing sound as relaxed as someone chatting over a cup of coffee. While the rest of us might struggle to remember where we left the TV remote, Morse can effortlessly navigate fretboards that look more like obstacle courses than musical instruments. Watching him perform is a bit like watching a master chef prepare a gourmet meal with one hand tied behind his back—you know it's incredibly difficult, but he makes it look unfairly easy.
July 28, 1954, in Hamilton, Ohio
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Richard Petty did not merely drive race cars; he made them look as if they were late for church, supper, and a family reunion all at once. With the hat, the sunglasses, the smile, and that unmistakable No. 43, he became NASCAR royalty without needing a crown, although judging by the nickname, everybody saved him the trouble.
July 2, 1937, in Level Cross, North Carolina
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Some musicians become famous by standing in the spotlight. Kyle Gass proved you can become just as famous by standing next to Jack Black, calmly shredding a guitar while chaos erupts all around you. With an expression that rarely changes and a beard that deserves its own dressing room, Gass has spent decades reminding audiences that the straight-faced guy is often the funniest person on stage.
July 14, 1960, in Walnut Creek, California
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Some actors become famous for one unforgettable role. Kevin Bacon somehow managed to become famous for dozens of them—and for inspiring a game that proves just how connected Hollywood really is. Whether he's dancing through a small town in Footloose, surviving the dangers of Apollo 13, or battling giant underground monsters in Tremors, Bacon has spent more than four decades proving he can tackle almost any role. His remarkable versatility has made him one of the most recognizable and respected actors of his generation.
July 8, 1958, in Philadelphia, Pennsylvania
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John Leguizamo has spent his career proving that one person really can play almost everybody. Give him a stage, a camera, or even a recording booth, and before long he's transformed into a dozen completely different characters. Somewhere, a costume department is probably still trying to catch its breath.
July 22, 1960, in Bogotá, Colombia
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Some people organize family gatherings. RZA organized nine rappers, each with a larger-than-life personality, and somehow turned the result into one of the greatest hip-hop groups ever assembled. That's a bit like trying to conduct an orchestra where every musician insists on being the soloist. Somehow, he made it work—and changed music history in the process.
July 5, 1969, in Brooklyn, New York
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Some performers collect souvenirs while traveling. Audra McDonald has collected Tony Awards instead. At this point, Broadway might consider installing a revolving door between her dressing room and the awards stage just to save everyone time. Fortunately for theatre lovers, she has never treated success as a reason to slow down, continuing to raise the bar with every new performance.
July 3, 1970, in West Berlin, Germany
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Every great rock band has someone who can make a guitar sing, roar, and occasionally convince the neighbors that windows are merely optional. Richie Sambora spent decades doing exactly that. While the lead singer often grabbed the spotlight, Sambora was busy creating the unforgettable riffs and soaring solos that had millions of fans turning up the volume and pretending their living room was a sold-out stadium.
July 11, 1959, in Perth Amboy, New Jersey
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Some tennis champions overwhelm opponents with sheer power. Evonne Goolagong Cawley often seemed to glide across the court so effortlessly that she made world-class tennis look like a pleasant afternoon stroll. Opponents, meanwhile, were usually doing considerably more running than strolling. Watching her play was rather like watching someone dance while everyone else was busy trying not to trip over their own feet.
July 31, 1951, in Griffith, Australia
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On September 14, 1814, lawyer Francis Scott Key was inspired to write the poem that eventually became the lyrics of the United States national anthem, “The Star-Spangled Banner.” During the War of 1812, British forces had captured Washington, D.C., and burned several major public buildings before turning their attention toward Baltimore. Key became involved after his friend, physician William Beanes, was taken prisoner by the British. He helped negotiate Beanes' release, but because the Americans had learned details of the planned attack, they were required to remain with the British fleet until the assault on Baltimore was completed.
From aboard a vessel in the Patapsco River, Key watched as British ships bombarded Fort McHenry through the night of September 13 and into the morning of September 14. When daylight came, the enormous American flag flying above the fort was still visible, showing that the defenders had held their position and the British attack had failed. Moved by the sight, Key began writing verses that became a four-stanza poem titled “Defence of Fort M'Henry.” It was soon published and sung to the melody of “To Anacreon in Heaven,” a British song composed by John Stafford Smith. Over time, Key's poem became better known by the title of its opening imagery, “The Star-Spangled Banner.”
Key, born August 1, 1779, in Maryland, was a prominent lawyer who later served as U.S. attorney for the District of Columbia. His song became increasingly associated with patriotic and official occasions, and President Woodrow Wilson directed that it be played at appropriate military and naval ceremonies in 1916. Congress formally designated “The Star-Spangled Banner” as the national anthem, with President Herbert Hoover signing the measure into law on March 3, 1931. Key did not live to see what became of his composition; he died on January 11, 1843, decades before his hastily written verses became the official musical symbol of the United States.
On September 14, 1964, Kellogg's introduced the toaster pastry that would become Pop-Tarts, although the company was not the first to announce the idea. Rival Post had already publicized plans for a shelf-stable, fruit-filled pastry called Country Squares but revealed the concept before the product was ready for widespread sale. Kellogg's recognized the opportunity and moved quickly, turning to William “Bill” Post, then working at the Hekman Biscuit Company in Michigan, to help develop a pastry that could survive both the supermarket shelf and a trip through the family toaster. Post and his team experimented with dough, fillings and production methods, with his children reportedly serving as enthusiastic taste testers along the way.
Kellogg's initially considered calling its creation Fruit Scones before settling on the far more memorable Pop-Tarts, a name that played nicely with the popularity of Pop Art during the 1960s. The original unfrosted pastries appeared in four flavors—strawberry, blueberry, brown sugar cinnamon and apple currant—and the early test market was enormously successful. Demand quickly outran supply, forcing Kellogg's to publish advertisements apologizing to customers because it had run out. Frosting arrived a few years later after the company developed a version capable of surviving toaster temperatures without melting into a sugary disaster, followed by sprinkles, additional flavors and Milton the Toaster, an animated mascot who helped promote the increasingly popular breakfast treat.
What began as a hurried response to a competitor became one of Kellogg's most recognizable products. William Post is frequently described as the inventor of Pop-Tarts, although he always emphasized that their creation was a team effort, and Kellogg's has also credited company executive William “Doc” Thompson and the people involved in developing the product. Over the following decades, Pop-Tarts expanded far beyond those original four flavors and became as much a snack as a breakfast food. Billions are now sold annually—a remarkable outcome for something that began with a few people looking at two pieces of dough with filling between them and essentially asking, “Do you reckon we can put this in a toaster?”
On September 14, 1974, Eric Clapton reached No. 1 on the Billboard Hot 100 with “I Shot the Sheriff,” a song written and recorded the previous year by Bob Marley and the Wailers for their album Burnin'. It became the only No. 1 single of Clapton's career in the United States, but the man singing it had been surprisingly uncomfortable about releasing it. Clapton admired Marley's original and understood reggae well enough to worry that his own recording didn't capture what made the music special. He later recalled thinking that his version shouldn't even be included on his album 461 Ocean Boulevard, much less released as a single, because he felt it wasn't fair to Marley and that his interpretation had given the song too much of a white rock feel. His American bandmates were considerably more enthusiastic, and eventually Clapton allowed himself to be persuaded.
His concern became even more understandable when the record took off. Marley's version had already been released, but Clapton's recording suddenly carried the song onto mainstream American radio and all the way to the top of the chart. Clapton subsequently spoke with Marley and was relieved to discover that the songwriter appeared pleased with what he had done. Marley later recalled that Clapton had asked him about the meaning of the song, while Clapton remembered struggling to understand parts of Marley's explanation. Whatever uncertainty remained about the interpretation, there seemed to be no lasting uncertainty about Marley's acceptance of the cover.
The irony was that the recording Clapton worried might unfairly overshadow Bob Marley ultimately helped bring enormous attention to him. Island Records founder Chris Blackwell later described Clapton's cover as a major breakthrough for Marley, because one of rock's biggest stars had effectively pointed his enormous audience toward the Jamaican songwriter whose work he admired. The official Bob Marley history similarly credits Clapton's recording with significantly increasing Marley's international profile. So while September 14, 1974, marks Eric Clapton reaching No. 1, the longer story belongs to both musicians: Clapton received the biggest American single of his career from a Bob Marley song, while millions of listeners who heard Clapton's version were given a reason to discover the man who had written it in the first place.
On September 14, 1982, Princess Grace of Monaco died at the age of 52, one day after suffering serious injuries when the car she was driving left a steep mountain road above Monaco. Her youngest daughter, Princess Stéphanie, was traveling with her and survived. Before becoming European royalty, Princess Grace had been Grace Kelly of Philadelphia, one of Hollywood's most celebrated stars of the 1950s. In a remarkably brief film career, she became known for an elegant screen presence that made her particularly memorable in Alfred Hitchcock's Dial M for Murder, Rear Window and To Catch a Thief. She also starred opposite Gary Cooper in High Noon and won the Academy Award for Best Actress for her performance alongside Bing Crosby in The Country Girl.
Born in Philadelphia on November 12, 1929, Kelly studied acting at the American Academy of Dramatic Arts in New York and supported herself through modeling and television work while pursuing stage roles. After appearing on Broadway and making her way into motion pictures, her rise was extraordinarily rapid. By the middle of the 1950s she was one of Hollywood's leading actresses, working with stars including James Stewart, Cary Grant, Clark Gable, Ava Gardner and Frank Sinatra. Yet at the height of that success, Kelly walked away from Hollywood. After meeting Prince Rainier III of Monaco in 1955, she married him in an elaborate ceremony the following April and became Princess Grace. Her final feature film, the musical High Society, was released in 1956, bringing an acting career of only a few years to a close.
Princess Grace and Prince Rainier had three children—Caroline, Albert and Stéphanie—and she spent the remainder of her life carrying out royal and charitable duties in Monaco. On September 13, 1982, while driving home with Stéphanie, Grace lost control of her Rover on the winding road near Monaco and the vehicle plunged down a steep slope. Early reports attributed the crash to a stroke suffered while she was driving, although the precise circumstances surrounding the accident have remained the subject of discussion. Stéphanie escaped with injuries, but Grace suffered devastating trauma and died the following day. Her death prompted mourning far beyond the tiny principality she had made her home, closing an extraordinary life that had taken her from Philadelphia to Broadway, from Hollywood stardom and an Academy Award to becoming one of the world's most recognizable princesses.
On September 14, 1994, Major League Baseball officially canceled the remainder of its season, including the postseason and World Series, after a players' strike that had begun on August 12 showed no sign of ending. It was an extraordinary moment for America's pastime: for the first time since 1904, there would be no World Series, and for the first time since the championship series began in 1903, its cancellation resulted from a labor dispute. At the center of the conflict were long-running disagreements between team owners and the Major League Baseball Players Association over salaries, revenue sharing, free agency and the owners' desire for a salary cap. Acting commissioner Bud Selig finally called off the remainder of the season with hundreds of regular-season games already lost.
The cancellation was particularly painful because the 1994 season had been producing some remarkable baseball. The Montreal Expos owned the best record in the majors at 74–40 and appeared capable of making the deepest postseason run in franchise history, while the New York Yankees led the American League East at 70–43. Individual achievements disappeared with the schedule as well. San Francisco's Matt Williams had already hit 43 home runs and Seattle's Ken Griffey Jr. had 40, giving both a chance to challenge Roger Maris' then-record of 61 in a season. Perhaps the most tantalizing unfinished story belonged to San Diego Padres great Tony Gwynn, who was batting .394 when play stopped and pursuing something no major leaguer had accomplished since Ted Williams hit .406 in 1941.
The dispute continued through the winter and into the following spring, with replacement players even appearing during 1995 spring training before a federal court injunction helped bring the strike to an end on April 2. Regular major-league players returned and the 1995 season eventually began, but the damage was considerable. Attendance suffered, fans expressed anger at both players and owners, and many people within baseball later described the canceled World Series as a lasting scar on the sport. There was no champion, no postseason heroics and no opportunity to discover whether Montreal could complete its remarkable season, whether Gwynn could reach .400, or whether Williams or Griffey could catch Maris. The 1994 season simply stopped—and baseball was left forever wondering how one of its most promising years might have ended.