
Ah, June — school’s out, pools are open, and June birthday people are here to remind you that the fun starts now.
These stars are summer’s opening act, kicking off long days, warm nights, and questionable tan lines. Grab a lemonade and join us in celebrating the folks who make June the month of all things bright and loud.
Bill Burr is the kind of guy who can turn a simple trip to the grocery store into a ten-minute rant about self-checkout machines, parking lots, and the suspiciously cheerful voice on the automated receipt printer. He has a special talent for sounding like he’s about two sentences away from yelling at a cloud, but somehow you end up agreeing with every word. One minute he’s furious about modern society, the next he’s admitting he can’t find his car keys because they’re in his own hand. It’s that perfect mix of outrage and self-awareness that makes you think, “Yeah, he’s losing his mind… but he’s got a point.”
June 10, 1968, in Canton, Massachusetts
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Tate Taylor is the kind of filmmaker who might spend the morning directing a tense thriller scene and the afternoon rummaging through an antique shop looking for a 1930s coffee grinder. He’s got one foot in Hollywood and the other in a dusty old Southern attic full of history. And honestly, that probably explains a lot—when you grow up surrounded by stories, sometimes the only logical thing to do is grab a camera and start telling a few of your own.
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June 3, 1969, in Jackson, Mississippi
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If you’ve ever met someone who whispers to themselves mid-sentence, obsesses over books like they’re rare treasure, and has the comedic timing of a Swiss watch, chances are you’ve either met Brick Heck or you’re related to someone who needs decaf. Today, we celebrate the birthday of Atticus Shaffer — the actor who turned awkward brilliance into an art form and made whispering your own name on national television weirdly charming.
June 19, 1998, in Santa Clarita, California
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Pat Boone once went from singing “Love Letters in the Sand” to covering heavy metal—and somehow made it sound like something you could play at a church picnic. That takes courage. While the rest of the world was growing their hair out and rebelling, Pat kept his pressed jacket, polished smile, and steady handshake. And honestly? There’s something impressive about a man who can outlast trends, outlive critics, and still surprise you when you least expect it.
June 1, 1934, in Jacksonville, Florida
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Aaron Taylor-Johnson has played a superhero with no powers, a superhero with super speed, a monster-fighting soldier, and a dangerously unhinged criminal—all before most people figure out what they’re doing with their lives. He’s the kind of actor who seems perfectly comfortable dodging explosions one year and wearing period costumes the next. Somewhere out there, a casting director is probably looking at his résumé and thinking, “We need someone who can fight, brood, run fast, and look intense while doing it.” And Aaron just sighs, stretches, and says, “All right, what century are we in this time?”
June 13, 1990, in High Wycombe, England
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If Disney villains ever needed a junior executive team, Jadah’s Celia would absolutely be running it by lunchtime. Meanwhile, in real life, Jadah somehow balances acting, singing, dancing, fitness, baking, and social media without breaking a sweat. Most of us feel accomplished if we answer a couple emails and remember where we left our coffee. She’s over here building an entertainment empire before dinner.
June 2, 2005, in Fontana, California
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DJ Qualls has made an entire career out of being the guy who looks like he accidentally wandered onto the set and then somehow became everyone’s favorite character. Whether he’s dodging zombies, hunting ghosts, or just trying to survive a college road trip, he always gives off the energy of someone who packed snacks, forgot the map, and still ended up saving the day. He’s proof that you don’t need superhero muscles or a square jaw to be memorable—sometimes all you need is a good sense of humor, a little awkward charm, and the ability to look surprised in every situation.
June 10, 1978, in Nashville, Tennessee
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Mark Wahlberg is famous for waking up at an hour most people consider the middle of the night, hitting the gym, eating a perfectly measured breakfast, and probably negotiating a business deal before the rest of us have even found the coffee maker. If you ever complain about being tired, just remember that somewhere out there, Mark has already worked out twice, filmed a scene, checked on his burger chain, and still has time to remind you that you should probably be doing more push-ups. He’s living proof that discipline can take you far—though most of us would settle for just making it out of bed on the first alarm.
June 5, 1971, in Boston, Massachusetts
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Mae Whitman has had one of those careers where you keep realizing, “Wait… she was in that too?” She’s been the president’s daughter during an alien invasion, a fairy with wings, a sarcastic teen on a sitcom, and the emotional center of a family drama. At this point, if someone told you she once voiced a talking toaster in a cartoon, you’d probably just nod and say, “Yeah, that sounds about right.” She’s basically the entertainment industry’s secret ingredient—show up, add Mae Whitman, and suddenly everything tastes better.
June 9, 1988, in Los Angeles, California
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Mark Curry has the rare ability to make you laugh about things you swore you weren’t going to talk about. He’ll tell a story about family, sports, or life’s curveballs—and by the end, you’re laughing so hard you forget you were supposed to be serious. If timing is everything, Curry’s still running the clock like he’s up by two with ten seconds left—and yes, he’s taking the shot.
June 1, 1961, in Oakland, California
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Courteney Cox has spent so many years playing neat, organized, slightly high-strung characters that you half expect her to walk into any room with a label maker and a disinfectant wipe. As Monica, she could spot a crooked picture frame from across the apartment and fix it before anyone else even noticed it was crooked. In real life, she’s admitted she likes things tidy—but probably not to the point of vacuuming the vacuum cleaner. Still, if you ever visit her house, you get the feeling the throw pillows are standing at attention, the counters are shining, and somewhere in the distance, you can almost hear Monica whispering, “Could this place be any cleaner?”
June 15, 1964, in Birmingham, Alabama
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Fred Grandy may be best remembered as Gopher from The Love Boat, but his career took a route most actors never attempt without a very confused travel agent: Hollywood sitcom fame, Congress, nonprofit leadership, radio commentary, and back to performance. Most people leave a cruise with sunburn and a souvenir cup; Grandy left with a public profile sturdy enough to carry him all the way to Washington.
June 29, 1948, in Sioux City, Iowa
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Some performers can make you laugh with a single look. David Alan Grier can do it before he's even spoken a word. Whether he's delivering razor-sharp comedy, commanding the Broadway stage, or stealing scenes in a Hollywood blockbuster, Grier has spent decades proving that talent, timing, and a perfectly raised eyebrow are a winning combination.
June 30, 1956, in Detroit, Michigan
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Dr. Ruth proved that you don’t need to be tall to be a giant in your field. At 4 feet 7 inches, she could barely see over some podiums, but she could certainly see right through people’s excuses for poor communication. With her cheerful accent and unstoppable energy, she turned late-night radio into a classroom for grown-ups—and probably made a few listeners blush while she was at it. If confidence were measured in decibels, she’d have been ten feet tall.
June 4, 1928, in Frankfurt, Germany
July 12, 2024, in Manhatten, New York
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Hollywood is full of actors who can make an entrance, but Gil Bellows has mastered something much trickier—making audiences remember him long after the scene is over. Whether he's practicing law in a television courtroom, surviving prison in one of cinema's greatest films, or quietly stealing scenes without making a fuss about it, Bellows has built a career that proves you don't always need the loudest voice in the room to leave the biggest impression.
June 28, 1967, in Vancouver, Canada
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Angelina Jolie has lived enough different lives to keep three biographies busy. One minute she’s leaping off temples as Lara Croft, the next she’s flying a plane, visiting a refugee camp, or directing a historical drama. Somewhere in between, she’s also raising six kids and collecting knives. Most people struggle to finish a weekend to-do list, and she’s out here running what feels like three careers and a small international airport.
June 4, 1975, in Los Angeles, California
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If you survived watching Meet the Parents without cringing at least once, you may be superhuman. Through all that chaos, Teri Polo stood calmly in the middle of it like someone who had already rehearsed every possible awkward family dinner scenario. Meanwhile, most of us panic if our in-laws ask about our five-year plan. She handled De Niro’s interrogation scenes with grace — which frankly deserves its own award category.
June 1st, 1969, in Dover, Delaware
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Helen Hunt has spent so many years playing sensible, grounded characters that you almost expect her to walk into chaotic situations just to restore order. In Twister, while everyone else was screaming about flying cows and exploding barns, she looked like the only person who had actually read the safety instructions. And in romantic comedies, she often played the voice of reason—the one character quietly wondering why everyone else was making such terrible decisions. If real life ever gets too dramatic, you get the feeling Helen Hunt would just grab a surfboard, head for the ocean, and let the waves sort things out while everyone else is still arguing about whose fault it was.
June 15, 1963, in Culver City, California
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Few people spend more than three decades at the same job without becoming part of the office furniture. Clarence Thomas has managed to serve on the United States Supreme Court since 1991 while remaining one of the most discussed, debated, analyzed, quoted, criticized, praised, and scrutinized figures in American public life. In a profession where people literally wear the same black robe every day, standing out is no small achievement. Whether people agree with him, disagree with him, or need a law degree and three cups of coffee to understand his latest opinion, Clarence Thomas has spent decades ensuring that nobody ignores his place in American legal history.
June 23, 1948, in Pin Point, Georgia
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Gina Gershon has the kind of career that feels like it was planned by someone spinning a wheel labeled “Bold Choices Only.” One minute she’s in a teen classic, the next she’s ruling the stage in Las Vegas, then suddenly she’s in a stylish crime thriller or belting out songs on Broadway. You get the sense that if someone handed her a script about a singing, guitar-playing detective who solves crimes at a yoga retreat, she’d just shrug, say “Why not?” and start rehearsing her lines before lunch. And honestly, that fearless attitude is exactly why audiences keep watching.
June 10, 1962, in Los Angeles, California
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Penelope Wilton has mastered the art of the polite but devastatingly effective English stare. On Downton Abbey, she could correct someone’s entire worldview with a single raised eyebrow and a gentle sentence about compassion. She’s the sort of character you’d want at your dinner table—partly for the conversation, and partly because if anyone got out of line, she’d put them back in their place with perfect manners and zero wasted words.
June 3, 1946, in Scarborough, England
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On September 14, 1814, lawyer Francis Scott Key was inspired to write the poem that eventually became the lyrics of the United States national anthem, “The Star-Spangled Banner.” During the War of 1812, British forces had captured Washington, D.C., and burned several major public buildings before turning their attention toward Baltimore. Key became involved after his friend, physician William Beanes, was taken prisoner by the British. He helped negotiate Beanes' release, but because the Americans had learned details of the planned attack, they were required to remain with the British fleet until the assault on Baltimore was completed.
From aboard a vessel in the Patapsco River, Key watched as British ships bombarded Fort McHenry through the night of September 13 and into the morning of September 14. When daylight came, the enormous American flag flying above the fort was still visible, showing that the defenders had held their position and the British attack had failed. Moved by the sight, Key began writing verses that became a four-stanza poem titled “Defence of Fort M'Henry.” It was soon published and sung to the melody of “To Anacreon in Heaven,” a British song composed by John Stafford Smith. Over time, Key's poem became better known by the title of its opening imagery, “The Star-Spangled Banner.”
Key, born August 1, 1779, in Maryland, was a prominent lawyer who later served as U.S. attorney for the District of Columbia. His song became increasingly associated with patriotic and official occasions, and President Woodrow Wilson directed that it be played at appropriate military and naval ceremonies in 1916. Congress formally designated “The Star-Spangled Banner” as the national anthem, with President Herbert Hoover signing the measure into law on March 3, 1931. Key did not live to see what became of his composition; he died on January 11, 1843, decades before his hastily written verses became the official musical symbol of the United States.
On September 14, 1964, Kellogg's introduced the toaster pastry that would become Pop-Tarts, although the company was not the first to announce the idea. Rival Post had already publicized plans for a shelf-stable, fruit-filled pastry called Country Squares but revealed the concept before the product was ready for widespread sale. Kellogg's recognized the opportunity and moved quickly, turning to William “Bill” Post, then working at the Hekman Biscuit Company in Michigan, to help develop a pastry that could survive both the supermarket shelf and a trip through the family toaster. Post and his team experimented with dough, fillings and production methods, with his children reportedly serving as enthusiastic taste testers along the way.
Kellogg's initially considered calling its creation Fruit Scones before settling on the far more memorable Pop-Tarts, a name that played nicely with the popularity of Pop Art during the 1960s. The original unfrosted pastries appeared in four flavors—strawberry, blueberry, brown sugar cinnamon and apple currant—and the early test market was enormously successful. Demand quickly outran supply, forcing Kellogg's to publish advertisements apologizing to customers because it had run out. Frosting arrived a few years later after the company developed a version capable of surviving toaster temperatures without melting into a sugary disaster, followed by sprinkles, additional flavors and Milton the Toaster, an animated mascot who helped promote the increasingly popular breakfast treat.
What began as a hurried response to a competitor became one of Kellogg's most recognizable products. William Post is frequently described as the inventor of Pop-Tarts, although he always emphasized that their creation was a team effort, and Kellogg's has also credited company executive William “Doc” Thompson and the people involved in developing the product. Over the following decades, Pop-Tarts expanded far beyond those original four flavors and became as much a snack as a breakfast food. Billions are now sold annually—a remarkable outcome for something that began with a few people looking at two pieces of dough with filling between them and essentially asking, “Do you reckon we can put this in a toaster?”
On September 14, 1974, Eric Clapton reached No. 1 on the Billboard Hot 100 with “I Shot the Sheriff,” a song written and recorded the previous year by Bob Marley and the Wailers for their album Burnin'. It became the only No. 1 single of Clapton's career in the United States, but the man singing it had been surprisingly uncomfortable about releasing it. Clapton admired Marley's original and understood reggae well enough to worry that his own recording didn't capture what made the music special. He later recalled thinking that his version shouldn't even be included on his album 461 Ocean Boulevard, much less released as a single, because he felt it wasn't fair to Marley and that his interpretation had given the song too much of a white rock feel. His American bandmates were considerably more enthusiastic, and eventually Clapton allowed himself to be persuaded.
His concern became even more understandable when the record took off. Marley's version had already been released, but Clapton's recording suddenly carried the song onto mainstream American radio and all the way to the top of the chart. Clapton subsequently spoke with Marley and was relieved to discover that the songwriter appeared pleased with what he had done. Marley later recalled that Clapton had asked him about the meaning of the song, while Clapton remembered struggling to understand parts of Marley's explanation. Whatever uncertainty remained about the interpretation, there seemed to be no lasting uncertainty about Marley's acceptance of the cover.
The irony was that the recording Clapton worried might unfairly overshadow Bob Marley ultimately helped bring enormous attention to him. Island Records founder Chris Blackwell later described Clapton's cover as a major breakthrough for Marley, because one of rock's biggest stars had effectively pointed his enormous audience toward the Jamaican songwriter whose work he admired. The official Bob Marley history similarly credits Clapton's recording with significantly increasing Marley's international profile. So while September 14, 1974, marks Eric Clapton reaching No. 1, the longer story belongs to both musicians: Clapton received the biggest American single of his career from a Bob Marley song, while millions of listeners who heard Clapton's version were given a reason to discover the man who had written it in the first place.
On September 14, 1982, Princess Grace of Monaco died at the age of 52, one day after suffering serious injuries when the car she was driving left a steep mountain road above Monaco. Her youngest daughter, Princess Stéphanie, was traveling with her and survived. Before becoming European royalty, Princess Grace had been Grace Kelly of Philadelphia, one of Hollywood's most celebrated stars of the 1950s. In a remarkably brief film career, she became known for an elegant screen presence that made her particularly memorable in Alfred Hitchcock's Dial M for Murder, Rear Window and To Catch a Thief. She also starred opposite Gary Cooper in High Noon and won the Academy Award for Best Actress for her performance alongside Bing Crosby in The Country Girl.
Born in Philadelphia on November 12, 1929, Kelly studied acting at the American Academy of Dramatic Arts in New York and supported herself through modeling and television work while pursuing stage roles. After appearing on Broadway and making her way into motion pictures, her rise was extraordinarily rapid. By the middle of the 1950s she was one of Hollywood's leading actresses, working with stars including James Stewart, Cary Grant, Clark Gable, Ava Gardner and Frank Sinatra. Yet at the height of that success, Kelly walked away from Hollywood. After meeting Prince Rainier III of Monaco in 1955, she married him in an elaborate ceremony the following April and became Princess Grace. Her final feature film, the musical High Society, was released in 1956, bringing an acting career of only a few years to a close.
Princess Grace and Prince Rainier had three children—Caroline, Albert and Stéphanie—and she spent the remainder of her life carrying out royal and charitable duties in Monaco. On September 13, 1982, while driving home with Stéphanie, Grace lost control of her Rover on the winding road near Monaco and the vehicle plunged down a steep slope. Early reports attributed the crash to a stroke suffered while she was driving, although the precise circumstances surrounding the accident have remained the subject of discussion. Stéphanie escaped with injuries, but Grace suffered devastating trauma and died the following day. Her death prompted mourning far beyond the tiny principality she had made her home, closing an extraordinary life that had taken her from Philadelphia to Broadway, from Hollywood stardom and an Academy Award to becoming one of the world's most recognizable princesses.
On September 14, 1994, Major League Baseball officially canceled the remainder of its season, including the postseason and World Series, after a players' strike that had begun on August 12 showed no sign of ending. It was an extraordinary moment for America's pastime: for the first time since 1904, there would be no World Series, and for the first time since the championship series began in 1903, its cancellation resulted from a labor dispute. At the center of the conflict were long-running disagreements between team owners and the Major League Baseball Players Association over salaries, revenue sharing, free agency and the owners' desire for a salary cap. Acting commissioner Bud Selig finally called off the remainder of the season with hundreds of regular-season games already lost.
The cancellation was particularly painful because the 1994 season had been producing some remarkable baseball. The Montreal Expos owned the best record in the majors at 74–40 and appeared capable of making the deepest postseason run in franchise history, while the New York Yankees led the American League East at 70–43. Individual achievements disappeared with the schedule as well. San Francisco's Matt Williams had already hit 43 home runs and Seattle's Ken Griffey Jr. had 40, giving both a chance to challenge Roger Maris' then-record of 61 in a season. Perhaps the most tantalizing unfinished story belonged to San Diego Padres great Tony Gwynn, who was batting .394 when play stopped and pursuing something no major leaguer had accomplished since Ted Williams hit .406 in 1941.
The dispute continued through the winter and into the following spring, with replacement players even appearing during 1995 spring training before a federal court injunction helped bring the strike to an end on April 2. Regular major-league players returned and the 1995 season eventually began, but the damage was considerable. Attendance suffered, fans expressed anger at both players and owners, and many people within baseball later described the canceled World Series as a lasting scar on the sport. There was no champion, no postseason heroics and no opportunity to discover whether Montreal could complete its remarkable season, whether Gwynn could reach .400, or whether Williams or Griffey could catch Maris. The 1994 season simply stopped—and baseball was left forever wondering how one of its most promising years might have ended.