---
title: Paul Hogan
description: Celebrate Paul Hogan’s birthday with his story, from Australian television and tourism ads to the worldwide success of Crocodile Dundee.
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Paul Hogan was born on October 8, 1939, in Australia and grew up in New South Wales. His route into entertainment was about as far removed from drama school and theatrical training as anyone could reasonably arrange. Before becoming a professional comedian, Hogan worked at a variety of jobs, most famously as a rigger on the Sydney Harbour Bridge. Dangling around one of Australia's most recognizable landmarks may not be conventional preparation for television comedy, but it certainly discourages stage fright.

Hogan’s entertainment career began in an appropriately unconventional fashion. In the early 1970s, he appeared on the Australian television talent program New Faces. Rather than approaching the show as a hopeful contestant desperately seeking approval from its judges, Hogan reportedly believed the program existed largely to ridicule some of its less talented performers. He decided to turn the arrangement around by appearing as a novelty act and directing much of the comedy toward the judges themselves.

The stunt worked considerably better than might have been expected. Australian audiences responded to Hogan’s dry humor, relaxed delivery and unmistakably Australian personality. Television appearances followed, and he developed from an amusing television discovery into a professional entertainer. There was little polish in the conventional show-business sense, which was precisely part of the attraction. Hogan appeared to be an ordinary Australian bloke who had wandered onto television, looked around and discovered that he was rather good at it.

His national breakthrough came with The Paul Hogan Show, a sketch-comedy television series that began in the 1970s. Hogan wrote and performed much of the material, working closely with producer and collaborator John Cornell. The program featured sketches, recurring characters and broad Australian humor, establishing Hogan as one of the country's most recognizable television personalities.

The series also introduced audiences to performers who would remain important to Hogan’s career. Among them was John Cornell, who appeared as the memorably dim Strop, and actress Linda Kozlowski would later become closely associated with Hogan through Crocodile Dundee. Hogan's television success established a comic persona built around confidence, understatement and a willingness to puncture anyone displaying excessive self-importance.

International audiences began seeing more of Hogan during the 1980s through Australian tourism advertisements. The commercials promoted Australia to overseas visitors and featured Hogan delivering an informal invitation to experience the country. One particularly famous advertisement promised that he would “slip an extra shrimp on the barbie” for visitors, a phrase that became enormously recognizable in the United States even though Australians themselves were rather more inclined to call the creatures prawns.

The tourism campaign was extremely successful in raising Australia's profile as an international vacation destination, and Hogan became an unofficial ambassador for the country. His easygoing image presented Australia as friendly, humorous and adventurous. More importantly for Hogan’s future career, millions of Americans who had never watched The Paul Hogan Show now knew exactly who he was.

Then came Michael J. “Crocodile” Dundee.

Hogan co-wrote and starred in Crocodile Dundee, released in Australia in 1986. The film introduced Mick Dundee, an Australian bushman whose supposed adventures in the wilderness attract American journalist Sue Charlton, played by Linda Kozlowski. After Sue experiences the Australian Outback with Mick, she invites him to New York City, where the cultural misunderstandings reverse direction.

The concept allowed Hogan to play with two very different environments. In Australia, Sue is the outsider trying to understand Mick's world. In New York, Mick becomes the outsider confronting elevators, bidets, crowded streets, nightlife and the assorted peculiarities of urban America. Hogan's understated performance prevented Dundee from becoming merely a caricature. Mick might be unfamiliar with city life, but he was rarely presented as foolish.

The film became an extraordinary international success. Produced on a comparatively modest budget, Crocodile Dundee became a major box-office hit in Australia and then achieved enormous popularity overseas, particularly in the United States. Suddenly the comedian who had spent years entertaining Australian television audiences was an international movie star.

One scene became particularly famous. When a would-be robber confronts Mick with a switchblade, Dundee calmly produces his considerably larger hunting knife and explains the distinction. The moment became one of the most recognizable scenes in 1980s cinema and permanently associated Hogan with the character. Countless imitations followed, most delivered in accents that probably caused considerable distress throughout Australia.

Hogan's work on the film earned major recognition. He won the Golden Globe Award for Best Actor in a Motion Picture – Musical or Comedy for his performance. Hogan, John Cornell and Ken Shadie also received an Academy Award nomination for Best Original Screenplay. For a former Sydney Harbour Bridge rigger who had entered television largely to make fun of talent-show judges, things had escalated rather impressively.

The inevitable sequel arrived with Crocodile Dundee II in 1988. Hogan returned as Mick, with Linda Kozlowski again playing Sue. This time the story brought danger to New York before moving much of the action back to Australia. Although critics were less enthusiastic than they had been about the original, audiences still turned out in large numbers.

By this point, Mick Dundee had become one of the most internationally recognizable Australian characters in popular culture. The slouch hat, vest, hunting knife and laconic manner became visual shorthand for an exaggerated vision of the Australian bushman. Hogan's own public identity inevitably became intertwined with the character, something that brought enormous success while also making it difficult for later roles to escape Dundee's considerable shadow.

Hogan attempted to establish other film characters during the following years. In Almost an Angel, released in 1990, he played Terry Dean, a professional thief who begins to believe that he may have been returned to Earth as an angel. The comedy gave Hogan an opportunity to retain his familiar mischievous screen personality without relying upon the Dundee character.

He followed it with Lightning Jack in 1994, a Western comedy in which Hogan played outlaw Lightning Jack Kane. Cuba Gooding Jr. co-starred as Ben Doyle, who becomes Jack's unlikely partner. Hogan also worked as a writer and producer on the film, continuing the hands-on involvement in his projects that had characterized his television and Crocodile Dundee work.

In 1996, Hogan appeared in a remake of the family comedy Flipper, playing fisherman Porter Ricks alongside Elijah Wood. The film provided another change of pace, replacing the Australian Outback and Wild West with a considerably wetter co-star. Dolphins, however, proved less useful than crocodiles when it came to establishing another enormous movie franchise.

Mick Dundee eventually returned in Crocodile Dundee in Los Angeles in 2001. The third installment relocated Mick, Sue and their son to California, giving Dundee another large American city to investigate with his characteristic mixture of curiosity and complete confidence. By then, the original film had already become firmly embedded in popular culture.

Hogan's relationship with Linda Kozlowski extended beyond the screen. The pair married in 1990 after appearing together in the first two Crocodile Dundee films. Their marriage lasted more than two decades before ending in divorce. Their real-life relationship inevitably added another layer to the screen partnership between Mick Dundee and Sue Charlton.

Despite his international movie career, Hogan remained closely associated with Australia. His humor had developed from Australian television rather than Hollywood comedy, and much of his appeal came from understatement. Instead of aggressively announcing the punchline, Hogan often appeared to casually drop it into the conversation and allow the audience to catch up.

That style was particularly effective with Mick Dundee. Hogan understood that the character worked best when Mick did not realize that he was extraordinary. He did not swagger through New York demanding attention. He simply applied the rules and common sense of his own world to situations that made very little sense to him. The comedy usually came from everyone else's reaction.

Hogan's career is also unusual because major fame arrived relatively late compared with the traditional trajectory of movie stars. He had already spent years working outside entertainment before television made him famous in Australia, and he was well established at home before international audiences discovered him. When Hollywood finally came calling, Hogan arrived with a fully formed comic identity rather than one manufactured by a studio.

His influence on international perceptions of Australia during the 1980s was considerable. Between the tourism commercials and Crocodile Dundee, Hogan presented an image of Australians as informal, self-confident, hospitable and largely unimpressed by pretension. It was an exaggerated image, certainly, but an enormously successful one.

The success of Crocodile Dundee sometimes overshadows just how much Hogan accomplished before the movie existed. He had already created a successful television comedy series, become a major Australian entertainer and established himself as a writer and performer. Mick Dundee did not create Paul Hogan's comic abilities; the character exported them.

That distinction helps explain why the original movie worked so well. Dundee was built around qualities Hogan had spent years developing before American audiences knew his name: the pause before a punchline, the understated observation, the suspicious look at unnecessary sophistication and the confidence of a man who sees no particular reason to impress anybody.

Paul Hogan followed one of entertainment's more improbable routes to international fame. He went from laboring on the Sydney Harbour Bridge to mocking television talent-show judges, starring in his own comedy program, promoting Australia overseas and eventually creating one of the most recognizable movie characters of the 1980s.

And while Mick Dundee may forever be associated with that enormous knife, Hogan's real weapon was always timing. He knew when to deliver a line, when to wait and, perhaps most importantly, when to say nothing at all. Sometimes the quiet bloke at the end of the bar turns out to have the best stories.

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