---
title: José Feliciano
description: Celebrate José Feliciano, the legendary Puerto Rican singer-songwriter behind “Feliz Navidad,” with his remarkable career, music, and trivia.
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José Montserrate Feliciano García was born on September 10, 1945, in Lares, Puerto Rico, into a large family of modest means. Blind from birth as a result of congenital glaucoma, he developed an early fascination with music that would eventually carry him far beyond the island of his birth. His family moved to New York City when he was five, settling in the Spanish Harlem community where he would grow up surrounded by a mixture of Puerto Rican traditions and American popular music. The young José was drawn to sounds of every description, and it soon became clear that music was not merely a pleasant hobby. It was the language through which he intended to make his way in the world.

His first musical instrument was hardly the sort of equipment one expects to see in a professional recording studio. As a small child, he accompanied his uncle by playing a tin cracker can, demonstrating that enthusiasm and rhythm can sometimes compensate for a limited instrument budget. He later learned the concertina and began teaching himself guitar, relying heavily on records and his own determination. By the time he was a teenager, he was practicing for many hours each day, developing a technique that combined classical guitar influences with Latin rhythms, jazz, blues, and rock and roll. The result was a style that would become instantly recognizable: intricate fingerpicking, expressive phrasing, and an ability to make an acoustic guitar sound considerably larger than its physical dimensions.

Feliciano’s musical education was shaped by an unusually broad range of influences. He admired classical guitarists such as Andrés Segovia, while also absorbing the sounds of rock and roll, rhythm and blues, and the Latin music that surrounded him in New York. Rather than treating these traditions as separate territories, he began combining them into a personal musical language. This willingness to cross stylistic boundaries became one of the defining characteristics of his career. A song might begin with the elegance of a classical guitar passage, move into a Latin rhythm, and finish with the emotional intensity of a blues performance. The guitar, apparently, had not been informed that it was supposed to remain in one musical department.

At seventeen, Feliciano left school and began performing professionally, partly to help support his family. He played in coffeehouses in Greenwich Village, where musicians often earned their money through the traditional arrangement of passing a hat among the audience. These early performances gave him valuable experience and introduced him to listeners who were impressed by both his voice and his guitar playing. He also performed in clubs and developed a reputation as a musician capable of interpreting familiar songs in unexpected ways. The work was demanding, but it provided the foundation for a career that would eventually take him to concert halls and recording studios around the world.

His recording career began in the early 1960s, and he soon attracted the attention of RCA Victor. Although his early English-language recordings did not immediately establish him as a major star, his Spanish-language work found an enthusiastic audience. Albums such as La Voz y la Guitarra de José Feliciano and Una Sombra, Una Guitarra helped build his reputation throughout Latin America. His interpretations of romantic ballads and traditional songs demonstrated an ability to make established material feel fresh and personal. Rather than simply reproducing the original arrangements, he brought his own guitar technique, vocal phrasing, and musical instincts to each performance.

The breakthrough that introduced Feliciano to a much wider English-speaking audience came in 1968 with his interpretation of the Doors’ “Light My Fire.” The original recording had already become a major rock hit, but Feliciano transformed it into something quite different, replacing the psychedelic rock arrangement with a distinctive acoustic guitar approach and a Latin-influenced rhythm. His version reached number three on the Billboard Hot 100 and became an international success. It demonstrated that a cover version could be more than a faithful reproduction of an existing song; in the hands of a creative musician, it could become an entirely new interpretation. The Doors had supplied the fire, but Feliciano had clearly brought his own matches.

The album Feliciano! became a major commercial and critical success, earning him two Grammy Awards in 1969 for the previous year’s recordings: Best New Artist and Best Contemporary Pop Vocal Performance, Male. The recognition established him as a significant figure in American popular music and helped open doors for Latin artists seeking audiences beyond traditional language and genre boundaries. His success was particularly notable because he refused to abandon the musical influences that had shaped him. Instead, he demonstrated that Latin rhythms, acoustic guitar, and English-language popular songs could coexist in a way that appealed to listeners from many different backgrounds.

Later in 1968, Feliciano became the center of a national controversy when he performed “The Star-Spangled Banner” before Game Five of the World Series between the Detroit Tigers and St. Louis Cardinals. Rather than delivering the anthem in the conventional manner, he offered a slow, soulful interpretation accompanied by acoustic guitar. Some listeners praised the performance for its sincerity and originality, while others criticized it as inappropriate for a patriotic occasion. The reaction was intense, and the controversy affected his career at the time. In retrospect, however, his performance is often recognized as an important moment in the history of personalized national anthem interpretations. Feliciano had not intended to insult the country; he had simply approached the song as a musician, which turned out to be a considerably more controversial decision than anyone had anticipated.

Despite the difficulties that followed, Feliciano continued recording and performing internationally. His career developed across both English- and Spanish-language markets, with audiences in Latin America, Europe, Asia, and the United States responding to his distinctive sound. His interpretation of “Che Sarà,” performed at the Sanremo Music Festival in 1971, became especially successful in several international markets. The song’s emotional character suited his voice and guitar style, and it further established his reputation as an artist capable of communicating across language barriers. Even when listeners did not understand every word, the musical expression was usually sufficient to make the meaning clear.

The song that would become his most enduring contribution to popular culture arrived in 1970. “Feliz Navidad” was written while Feliciano was in Los Angeles, feeling homesick for his family and the Christmas traditions of Puerto Rico and New York. He wanted to create a song that expressed the warmth and joy of the holiday season while bringing together his Spanish-speaking heritage and his English-speaking audience. The result was a remarkably simple bilingual composition built around a cheerful melody, a memorable rhythm, and a message of goodwill that required very little explanation.

At first, “Feliz Navidad” was not the enormous international phenomenon it would eventually become. Its popularity grew gradually through radio play, holiday programming, recordings, and the annual habit of people rediscovering their favorite Christmas music. Over time, the song became a seasonal standard, returning to charts and playlists year after year. Its simplicity proved to be one of its greatest strengths. People who spoke Spanish could enjoy the English portion, English speakers could learn the Spanish refrain, and almost everyone could join in after hearing it a few times. It is difficult to imagine many other songs that have taught so many people a small amount of another language while simultaneously encouraging them to buy more wrapping paper.

The enduring success of “Feliz Navidad” has sometimes overshadowed the breadth of Feliciano’s career, but the song itself represents many of his most important musical qualities. It combines Latin and American influences without treating either as an afterthought, relies on a strong melody rather than elaborate production, and communicates emotion directly. Its continued popularity has brought it recognition from organizations including ASCAP, while the recording was inducted into the Grammy Hall of Fame in 2010. Decades after its release, it remains one of the most recognizable Christmas songs in the world, and its annual return has become as predictable as someone discovering that the Christmas lights worked perfectly when they were put away but have developed a mysterious fault in storage.

Feliciano’s work during the 1970s extended well beyond holiday music. He recorded albums in several languages, continued touring internationally, and explored a wide range of musical styles. His guitar playing remained central to his performances, but he also demonstrated considerable versatility as a vocalist and arranger. He could interpret a romantic ballad with intimacy, approach a rock song with rhythmic energy, or bring a jazz-influenced sensibility to a familiar melody. This flexibility helped him maintain an international career even as popular music changed around him.

Television also became an important part of his professional life. Feliciano composed and performed the theme song for the sitcom Chico and the Man, which premiered in 1974 and starred Jack Albertson and Freddie Prinze. The series followed the relationship between an older garage owner and a young Mexican-American man, and its theme became closely associated with the program. Feliciano received a Primetime Emmy nomination for his musical contribution. He also made acting appearances in television series including Kung Fu, McMillan &amp; Wife, and Chico and the Man. Although he enjoyed these opportunities, music remained his principal vocation, and he never appeared particularly eager to exchange the guitar permanently for a career memorizing television scripts.

His screen credits also include an appearance as himself in the Coen brothers’ 1996 film Fargo, where he performs in a hotel lounge. The film’s darkly comic atmosphere makes the appearance memorable, particularly because his polished musical performance contrasts with the increasingly uncomfortable events unfolding around the characters. His music has also appeared in numerous films and television productions, including Moulin Rouge!, Zodiac, and Sgt. Pepper’s Lonely Hearts Club Band. These credits illustrate how his recordings and performances have continued to reach audiences through media beyond his own albums and concerts.

Throughout the 1980s and 1990s, Feliciano remained active in Latin music and continued receiving recognition for his recordings. His albums explored romantic ballads, pop, and tropical styles, while his guitar playing retained the distinctive qualities that had first attracted international attention. He received further Grammy Awards for Latin recordings, including Me Enamoré and Cielito Lindo, and continued to perform for audiences across the world. His career was not defined by a single period of commercial success; it developed through decades of recording, touring, and adapting to changing musical tastes without losing his recognizable identity.

Recognition for his achievements extended beyond the recording industry. Feliciano received a star on the Hollywood Walk of Fame in 1987, and New York City honored him by renaming Public School 155 in East Harlem the José Feliciano Performing Arts School. The latter tribute was particularly meaningful given his own childhood in the city and the importance of music in his early development. He was also inducted into the International Latin Music Hall of Fame in 2000 and received the Latin Recording Academy’s Lifetime Achievement Award in 2011. These honors reflected not only his commercial accomplishments but also his influence on musicians who followed him.

His contribution to guitar playing has been especially significant. Feliciano’s technique combines elements of classical training, Latin music, jazz, blues, and popular song, allowing him to move between delicate passages and powerful rhythmic accompaniment with apparent ease. He has influenced musicians who admire his ability to make the guitar function as both a solo instrument and a complete musical accompaniment. His performances demonstrate that technical skill is most effective when it serves the music rather than becoming an end in itself. A complicated passage may impress another guitarist, but a beautifully played melody can reach an audience that has never heard of a diminished seventh chord and has no immediate plans to investigate one.

Feliciano has also been an important figure in discussions about disability and artistic achievement. His blindness has been a part of his life since birth, but he has consistently resisted allowing it to define the limits of his career. His success has challenged assumptions about what blind musicians can accomplish, while his own approach has emphasized musical ability, determination, and independence. He has spoken about the importance of being recognized as an artist rather than being reduced to a single aspect of his identity. His career offers a reminder that accessibility and opportunity matter, and that talent should not be underestimated because someone approaches the world differently.

In his personal life, Feliciano married Susan Omillian in 1982, and they have three children. Susan has played an important role in his career and family life, and their relationship has become part of the singer’s personal story. According to IMDb, she had established a José Feliciano fan club as a teenager before eventually meeting and marrying him. It is an unusual beginning to a marriage, although perhaps not quite as unusual as explaining to your future spouse that you already know the entire discography and have been organizing the fan correspondence.

Feliciano continued to record new material in the twenty-first century, demonstrating that his creative interests were not limited to revisiting earlier successes. His album Behind This Guitar, released in 2020, included original songs and interpretations of material by other artists, while the documentary José Feliciano: Behind This Guitar explored his life and career. The project provided an opportunity to reflect on his musical journey, his cultural identity, and the experiences that shaped him. It also introduced his story to viewers who might have known the Christmas song but were less familiar with the extraordinary career behind it.

The fiftieth anniversary of “Feliz Navidad” brought renewed attention to the recording in 2020, including a new collaborative version featuring a wide range of performers. The anniversary celebrations highlighted the song’s ability to connect generations and cultures, while its continued chart success demonstrated that its appeal had not diminished with time. For Feliciano, the song has remained a source of pride, even though he has acknowledged that he never expected such a simple composition to become so universally familiar. Few songwriters can claim that a piece of music they created has become part of the annual traditions of millions of households.

His legacy is therefore considerably broader than that of a singer associated with one holiday classic. José Feliciano helped bring Latin musical influences into the English-language popular music mainstream, transformed familiar songs through imaginative interpretation, and established himself as one of the most distinctive guitarists of his generation. His recordings have crossed languages, genres, and national borders, while his performances have demonstrated the expressive possibilities of the acoustic guitar. He has received major awards, influenced other musicians, and maintained a career built upon curiosity and a willingness to explore different musical traditions.

On September 10, his birthday provides an opportunity to celebrate the full range of that achievement. “Feliz Navidad” may be the song that most people recognize immediately, but it is only one chapter in a remarkable musical story. Listen to his interpretation of “Light My Fire,” explore his Spanish-language recordings, revisit “Che Sarà,” or discover the guitar work that has earned him admiration from musicians around the world. And when Christmas eventually arrives, there is no need to pretend you are tired of hearing his most famous song. Resistance is usually futile, and the chorus will be back in your head before you have finished decorating the tree.

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