---
title: Jane Curtin
description: Explore Jane Curtin's career from Saturday Night Live and the Coneheads to two Emmy wins, Kate & Allie and 3rd Rock from the Sun.
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Jane Therese Curtin was born on September 6, 1947, in Cambridge, Massachusetts, and grew up in the Boston area. Long before she became one of American television's most recognizable comedic performers, Curtin developed the composed, intelligent manner that would eventually become an essential part of her comedy. While other performers might attack a joke at full speed, Curtin became particularly skilled at standing perfectly still while madness erupted around her.

She attended Elizabeth Seton Junior College in New York and later Northeastern University in Boston, although she left college before completing a degree. Her real education was increasingly taking place onstage.

During the early 1970s, Curtin became involved with the Boston comedy group The Proposition, an improvisational troupe that also helped launch the careers of several other performers. Improvisational comedy gave her the opportunity to develop the precise timing and ability to react that would become crucial to her later television work.

Then, in 1975, television producer Lorne Michaels began assembling the young cast for an unusual new late-night comedy program on NBC.

The show was originally called NBC's Saturday Night because ABC already had a program using the Saturday Night Live name. Curtin joined Dan Aykroyd, John Belushi, Chevy Chase, Garrett Morris, Laraine Newman and Gilda Radner as the original performers billed as the “Not Ready for Prime Time Players.”

Nobody could have known exactly what they were creating.

The first episode aired on October 11, 1975, with comedian George Carlin as host. The program was experimental, unpredictable and unlike most network television comedy of the period. Before long, what became Saturday Night Live had turned its young cast into national celebrities.

Curtin was different from several of her more flamboyant colleagues. She wasn't generally the cast member making headlines for wild behavior away from the studio, and she wasn't trying to overpower every sketch. Instead, she became one of the show's most dependable performers, frequently serving as the calm center around which everybody else's insanity could orbit.

That ability proved particularly useful at the Weekend Update desk.

After Chevy Chase left the program, Curtin became an anchor of the satirical news segment, eventually sharing the desk with Dan Aykroyd. Their “Point/Counterpoint” exchanges became some of the show's most memorable early routines. The sketches parodied the argumentative television commentary format used on 60 Minutes.

Curtin would calmly present one side of an issue. Aykroyd would then begin his response with the famously insulting line, “Jane, you ignorant slut.”

Curtin's ability to absorb the insult without losing her composure was half the joke. She would respond with equally cutting precision, transforming what could have been little more than shouting into a wonderfully controlled parody of television punditry.

Another of Curtin's enduring Saturday Night Live characters was Prymaat Conehead, wife of Beldar Conehead, played by Aykroyd. The Coneheads were aliens from the planet Remulak who had become stranded on Earth and attempted—with spectacularly limited success—to pass themselves off as an ordinary suburban family.

Their enormous conical heads presented something of an obstacle.

Prymaat, Beldar and their daughter claimed to be “from France,” consumed absurd quantities of food and referred to ordinary human activities in bizarrely technical language. Curtin's completely serious performance made the sketches work. Prymaat behaved as though nothing whatsoever was unusual about the family, even when virtually everything about them suggested otherwise.

Curtin remained with Saturday Night Live through the end of its fifth season in 1980. By then, the original era of the program was ending. Aykroyd and Belushi had already departed, and Lorne Michaels and most of the remaining original cast followed after the 1979–80 season.

Unlike some early SNL performers who became primarily associated with sketch comedy or movies, Curtin soon demonstrated that she could anchor a conventional television sitcom.

In 1984, she began starring opposite Susan Saint James in Kate &amp; Allie. Curtin played Allison “Allie” Lowell, a divorced mother who moves in with her childhood friend Kate McArdle, played by Saint James. Together, the two women raise their children in a shared New York household.

The premise reflected changing American family structures during the 1980s, but the success of the show depended heavily on the chemistry between its two leads. Curtin's Allie was comparatively traditional and cautious, while Saint James' Kate was more independent and spontaneous.

Once again, Curtin's gift for playing the sensible person surrounded by unpredictability served her extremely well.

Kate &amp; Allie became a hit for CBS and ran for six seasons from 1984 to 1989. Curtin won consecutive Primetime Emmy Awards for Outstanding Lead Actress in a Comedy Series in 1984 and 1985, establishing that her success extended well beyond the ensemble environment of Saturday Night Live.

Her next major television triumph came from a premise considerably stranger than two divorced mothers sharing a house.

In 1996, Curtin joined the cast of 3rd Rock from the Sun, a sitcom about four extraterrestrials who come to Earth and assume human identities in order to study the planet. John Lithgow starred as Dr. Dick Solomon, the group's leader, while Joseph Gordon-Levitt, Kristen Johnston and French Stewart played the other members of the alien expedition.

Curtin played Dr. Mary Albright, an anthropology professor at the fictional Pendelton State University and Dick Solomon's colleague, romantic interest and frequent victim of his astonishing misunderstanding of normal human behavior.

The casting was particularly amusing for anyone who remembered Curtin's SNL years. After spending the 1970s playing an alien who attempted to understand Earth, she was now playing an Earthling attempting to understand aliens.

Apparently the universe enjoys a callback.

Curtin and Lithgow developed excellent comic chemistry. Lithgow's Dick was pompous, emotional and spectacularly eccentric; Curtin's Mary was intelligent, skeptical and frequently baffled by the man she nevertheless found attractive. Her understated reactions provided an ideal counterweight to Lithgow's deliberately enormous performance.

3rd Rock from the Sun ran for six seasons from 1996 to 2001 and became another defining role in Curtin's career. By then she had been a central performer in three significant television comedies across three different decades.

Curtin also continued working in film. Her credits include How to Beat the High Cost of Living, O.C. and Stiggs, Coneheads, Antz, I Love You, Man, The Heat and Can You Ever Forgive Me?, among many others.

The 1993 movie Coneheads gave Curtin and Aykroyd an opportunity to revive Prymaat and Beldar for the big screen. The film expanded the familiar Saturday Night Live sketches into a feature-length story involving immigration agents, suburban America and a return to Remulak. It was an admirably ambitious amount of plot for characters originally created largely around the premise that their heads were shaped like traffic cones.

Curtin later returned to television in the crime drama Unforgettable, playing Dr. Joanne Webster, a medical examiner. The role offered another reminder that Curtin's career has never been restricted entirely to broad comedy.

She also appeared in the ABC sitcom United We Fall, joined the cast of the 2021 comedy Queen Bees, and continued making guest appearances in television and film. Her longevity is particularly impressive considering how closely performers from famous sketch shows can become identified with a handful of characters.

Curtin has also returned periodically to Saturday Night Live. As one of the surviving members of the original cast, she occupies an important place in the history of a television institution that has now lasted for generations.

Her contribution to SNL is especially significant because the environment surrounding the original show could be difficult for its female performers. Curtin and fellow cast members Gilda Radner and Laraine Newman were working in a comedy culture largely dominated by men, both on screen and behind the scenes.

Curtin later spoke candidly about the sexism she encountered during those early years. Her ability to build a substantial career afterward makes her achievements during that period particularly noteworthy.

Her style also aged remarkably well. Curtin rarely depended on frantic physical comedy or exaggerated personalities. Instead, she perfected the reaction, the pause, the raised eyebrow and the devastatingly matter-of-fact response. She understood that when everybody else in a scene is behaving like lunatics, sometimes the funniest possible thing is to be the only person who notices.

That skill connected her three best-known television roles. On Saturday Night Live, she provided composure amid the show's controlled chaos. On Kate &amp; Allie, she played the more conventional half of an unconventional household. On 3rd Rock from the Sun, she attempted to maintain a normal professional and romantic life while surrounded by extraterrestrials who barely understood how humans worked.

Even Prymaat Conehead, despite technically being an alien herself, was usually the practical member of her household.

Jane Curtin's career demonstrates that comedy doesn't always belong to the loudest person in the room. Sometimes it belongs to the performer who waits patiently for everybody else to finish being ridiculous, looks at them for precisely the right length of time, and delivers one sentence.

From the original Saturday Night Live cast to two Emmy Awards, Kate &amp; Allie, 3rd Rock from the Sun and decades of film and television work, Curtin became one of American comedy's most reliable performers. She helped establish a television program that became an institution, created characters remembered generations later and proved that a perfectly timed deadpan expression can be every bit as effective as falling through a table.

And after spending so much of her career dealing with Coneheads and the Solomon family, she has surely earned honorary membership in Earth's diplomatic corps.

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