---
title: Alexis Bledel
description: Celebrate Alexis Bledel, the actress known for Gilmore Girls, The Sisterhood of the Traveling Pants and The Handmaid's Tale.
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Kimberly Alexis Bledel was born on September 16, 1981, in Houston, Texas. Her family background gave her an upbringing that was somewhat unusual for a future star of American television: Spanish was her first language, and she did not begin learning English until she started school. Her mother, Nanette, was born in Phoenix but grew up in Mexico, while her father, Martin Bledel, was born and raised in Argentina.

Bledel has described herself as shy while growing up, and her parents encouraged her to become involved in community theater as a way of helping her overcome that shyness. It worked rather spectacularly. Productions including Our Town and The Wizard of Oz introduced her to performing, although nobody could have known that the quiet youngster from Houston would eventually spend seven seasons delivering dialogue at a speed that would leave many professional auctioneers asking everyone to slow down.

Before acting became her profession, Bledel was discovered by a modeling scout while shopping at a mall. She began working as a model and traveled for assignments while still attending school. After graduating from St. Agnes Academy in Houston, she enrolled at New York University's Tisch School of the Arts to study film.

Her stay at NYU would be relatively brief because television came calling.

In 2000, Bledel auditioned for a new series called Gilmore Girls. Her professional acting experience was limited, but she won the role of Rory Gilmore, daughter of Lorelai Gilmore, played by Lauren Graham. It was an extraordinary opportunity for a newcomer because Rory was not a minor supporting character. She was half of the relationship around which the entire series was built.

Created by Amy Sherman-Palladino, Gilmore Girls premiered in October 2000 and introduced viewers to Stars Hollow, Connecticut, a fictional small town populated by people who appeared to have unlimited time for festivals, town meetings, romantic complications and interfering in one another's affairs.

At the center were Lorelai and Rory Gilmore, a mother and daughter separated by relatively few years and connected by an unusually close relationship. They shared jokes, movies, enormous amounts of junk food, an almost religious devotion to coffee and conversations delivered at remarkable speed.

Rory was the quieter of the two. Intelligent, academically ambitious and almost permanently carrying a book, she dreamed of becoming a journalist. Her admission to the prestigious Chilton Preparatory School helped launch the series, forcing Lorelai to seek financial assistance from her wealthy and estranged parents, Richard and Emily Gilmore.

There was, naturally, a condition.

Friday night dinner.

What began as a financial arrangement became one of the central mechanisms of the series, bringing three generations of Gilmore women together around a dinner table where affection, resentment, family expectations and exceptionally well-prepared meals regularly collided.

Bledel's understated performance worked particularly well opposite Graham's more extroverted Lorelai. Rory could be reserved without becoming dull, and her intelligence was presented as an ordinary part of who she was rather than a peculiar character defect requiring immediate correction.

That quality helped make Rory especially popular with viewers who recognized themselves in a teenager who genuinely liked reading, cared about school and had ambitions beyond becoming popular. Rory wanted to attend Harvard, become a journalist and eventually work as a foreign correspondent. Her books were not props. They were practically additional cast members.

Of course, Stars Hollow was not going to allow anyone to spend seven seasons quietly reading.

Rory's romantic life became an enormous part of the series, beginning with Dean Forester, played by Jared Padalecki. Jess Mariano, played by Milo Ventimiglia, later arrived with his own literary interests and considerably more rebellious tendencies. Logan Huntzberger, played by Matt Czuchry, entered Rory's life during her college years.

The resulting Dean-versus-Jess-versus-Logan debate has demonstrated remarkable durability among Gilmore Girls fans. Nations have negotiated peace agreements in less time than viewers have spent deciding which boyfriend Rory should have chosen.

As the series progressed, Rory moved from Chilton to Yale University and from sheltered teenager to young adult. Her ambitions, relationships and mistakes became increasingly complicated. Bledel had to allow a character initially defined by responsibility and academic achievement to make questionable decisions, experience failure and discover that being exceptionally successful at school does not automatically provide an instruction manual for adulthood.

Gilmore Girls originally ran for seven seasons, ending in 2007. By then, Rory Gilmore had become one of the most recognizable young characters on American television, and Bledel had spent much of her early professional life portraying her.

Yet Bledel was already building a film career.

In 2002, she made her feature-film starring debut in Tuck Everlasting, based on Natalie Babbitt's novel. She played Winnie Foster, a young woman who discovers a family possessing the secret of immortality. The fantasy drama gave Bledel an opportunity to step away from Rory while still playing an intelligent and thoughtful young character.

She took a considerably different turn in Robert Rodriguez and Frank Miller's highly stylized Sin City in 2005. Bledel played Becky, a sex worker with striking blue eyes in the otherwise heavily monochromatic world of the film. The role was deliberately far removed from the wholesome image associated with Rory Gilmore.

That same year brought one of Bledel's best-known movie roles, Lena Kaligaris in The Sisterhood of the Traveling Pants. Based on Ann Brashares' novel, the film followed four close friends who remain connected during a summer apart through a pair of jeans that somehow fits all four of them.

Bledel starred alongside America Ferrera, Blake Lively and Amber Tamblyn, playing the artistic and reserved Lena. The friendships among the four characters provided the emotional center of the story, and the film was successful enough to produce The Sisterhood of the Traveling Pants 2 in 2008.

Bledel continued working across film and television after Gilmore Girls, appearing in projects including Post Grad, The Good Guy, The Conspirator and Violet &amp; Daisy. She also made television appearances that began moving her steadily away from the character with whom audiences most strongly associated her.

One particularly important role came in Mad Men. Bledel appeared during the show's fifth season as Beth Dawes, a troubled woman who begins an affair with Pete Campbell, played by Vincent Kartheiser. The character's emotional difficulties and treatment for depression gave Bledel an opportunity to work in a darker dramatic register.

Years after leaving Stars Hollow, however, she returned.

Netflix revived the series in 2016 as Gilmore Girls: A Year in the Life, a four-part miniseries set roughly a decade after the original series ended. Lauren Graham returned as Lorelai, Bledel returned as Rory, and many of the show's familiar characters once again populated Stars Hollow.

The revival caught up with Rory at a very different point in her life. The once relentlessly ambitious student was now a professional journalist experiencing uncertainty about both her career and personal life. Rather than presenting her adulthood as the uncomplicated fulfillment of everything teenage Rory had planned, the revival showed a woman discovering that even an impressive education and considerable ability provide no immunity against getting lost.

Then Bledel entered Gilead.

In 2017, she appeared in Hulu's adaptation of Margaret Atwood's The Handmaid's Tale. Initially known as Ofglen and later by her real name, Emily Malek, Bledel's character was a former university professor forced into servitude under the totalitarian Republic of Gilead.

The transformation from Rory Gilmore to Emily could hardly have been more dramatic.

Rory lived in a town where everyone knew everybody else's business because they were nosy. Emily lived under a regime where surveillance, control and punishment were instruments of state power. Stars Hollow had Taylor Doose. Gilead had the Eyes. Suddenly Taylor didn't seem quite so bad.

Bledel's restrained acting style proved remarkably effective in the series. Emily frequently had to conceal what she was thinking in order to survive, making small changes in expression and tone enormously important. The performance depended less upon lengthy speeches than upon communicating fear, anger, resistance and trauma while saying very little.

Emily's story also became one of the show's most harrowing. Before Gilead, she had been married to Sylvia and had a son. Under the new regime, her marriage was declared invalid, she was separated from her family and forced into the role of a Handmaid because she was fertile.

Her resistance brought horrific punishment, but Emily remained defiant. As the character's story expanded, Bledel became an increasingly important member of the ensemble alongside Elisabeth Moss, Yvonne Strahovski, Ann Dowd, Samira Wiley and Joseph Fiennes.

The role transformed perceptions of Bledel as an actress. Anyone still inclined to think of her primarily as Rory Gilmore carrying books through Stars Hollow was confronted with a performance of remarkable controlled intensity.

The television industry noticed.

In 2017, Bledel won the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for her performance as Ofglen in The Handmaid's Tale. Her role was subsequently expanded, and she received an Outstanding Supporting Actress nomination in 2018.

Additional Emmy nominations for Outstanding Guest Actress followed in 2020 and 2021, giving her four Emmy nominations for the series and one victory. It was substantial recognition for a performance almost completely removed from the role that had made her famous.

Bledel remained with The Handmaid's Tale through its fourth season before departing ahead of Season Five. By that point Emily had escaped Gilead and reached Canada, where she faced the complicated process of rebuilding a life after severe trauma and attempting to reconnect with her family.

Her performance remained characteristically controlled. Emily's freedom did not magically erase what had happened to her, and Bledel resisted turning recovery into a neat television transformation. The character carried Gilead with her even after physically escaping it.

That ability to communicate a great deal without excessive theatricality has been one of Bledel's most consistent strengths. She has never been the sort of performer who appears determined to make certain the audience notices every piece of acting taking place. Her work often depends upon stillness, observation and small reactions.

It is a style that served two extremely different characters remarkably well.

Rory Gilmore was an introverted teenager surrounded by some of the fastest and most talkative people on television. Emily Malek was a woman surviving in a world where saying the wrong thing could have devastating consequences. Both required an actress capable of making silence meaningful.

It is also difficult to overstate the cultural longevity of Gilmore Girls. Years after its original network run ended, streaming introduced Stars Hollow to new generations of viewers. Rory's relationships, academic choices and questionable decisions continue to be analyzed with an intensity she probably would have preferred people reserve for the novels on her reading list.

Bledel's career, however, demonstrates why an actor should never be permanently defined by the first character that makes them famous. Rory Gilmore could easily have become a professional cage, particularly after seven seasons of playing her during formative years.

Instead, Bledel gradually built a body of work that challenged that image, culminating in the brutal world of The Handmaid's Tale. The Emmy on her résumé provides fairly convincing evidence that the journey worked.

Alexis Bledel may always be Rory to viewers who first discovered her wandering through Stars Hollow with Lorelai, Luke, Lane, Paris and enough coffee to concern a cardiologist. But Emily Malek revealed another side of her abilities entirely: darker, quieter, wounded and fiercely resilient.

From Chilton and Yale to the terrifying red robes of Gilead, Bledel has managed something that is often difficult for the star of a beloved long-running series. She made one character unforgettable—and then proved she could make audiences forget her for a while.

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